07/12/2006
DOLIBOX
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07/11/2006
MIKAEL WEILL
He finally comes back to his first passion in 2000, but on its electronic side this time. This artistic re-birth just coincides with a strong attachment for US house and german electro & minimal sounds. Fond of labels like Perlon, Klang or Kompakt, he usually play live from the year 2001 and go on tour in 2003 with Electromenager as a member of the electro-tech duet Sacco Vanzetti.
Now working in solo, he then brings a whole universe to the label Karat, mainly with a track released on the compilation “Katapult Various Artists#1”. Playing in clubs, as much in France as abroad (the Rex Club, le Pulp, le Nouveau Casino, le Lieu Unique...) . His first EP “Houmous” is available and he prepares actually his second 12 inch. Actually he is working in collaboration with Ark. A new band is born : “Les sereveaux lents”. Soon on karat…..
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07/10/2006
SKAT
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CABANNE
Logistic, John’s label, will be the first structure to receive the productions of this prolix artist : he signs his two first EPs in 1997 (Log 03 & 04). In 2000, he helps to set up the sub-label Telegraph, exclusively dedicated to the minimal techno sound he likes, and takes the lead of its artistic direction. In addition of his own productions, Cabanne will also be the instigator of the “Post Office” compilation series. Since that time, he had also come out a large bunch of EPs on many labels, Karat in 2002 (Karat 08), Perlon with Ark (under the name Copacabannark), 7th City – the label set up by the two pionners of the American minimal techno Dan Bell and Claude Young – or Force Inc for a remix of Akufen.
Appart from the solo production, he also works on many group projects, which could be long-lasting – the coproduction of the “Blackstage” album with John Thomas, the Copacabannark and Ultrakurt (Cabanne + David Gluck) duets – or more short-lived, for exemple when he takes part to the “Narod Niki” project during the MUTEK festival of Montréal in 2003 for a several hours live with 8 of the best representants of the minimal movement. Ricardo Villalobos, Luciano, Dimbiman, Akufen or Ritchie Hawtin were acting live with him... With such experiences, no wonder then if people scrutenize to his next releases ! At this day he has created his Label “minibar music” and a new karat is available since few weeks.
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ARK
Then comes a whole series of solo productions, of collaborations and remixes, where he will develop his inimitable style, both intimist and explosive. His style alreaddy bloomed on Karat, where he realises the 2 opuses of the “Unknown Mysterioso” series, the LP of Shalark (Shalom + Ark), some EPs with Krikor (Krikark) and Mr Oizo (the “Dépérissement Progressif” project), on the label Circus Company with the “Alleluyark” project and its remixes from Akufen and Losoul, or on Telegraph or Perlon where he actively collaborates with Cabanne (both of them are the Copacabannark duet). In his producer job, Ark also has the gift to collect influences without suffering from any lack of coherence : from dub to techno, groove is always there !
His live sets always include stupendous and now famous surprises. The public of the Pulp in Paris won't forget anytime soon his incredible energy-fuelled mixes from reggae to hardcore with Mr. Oizo , Feadz or Herbert. He's also been heard at the Rex Club, the Batofar, La Scene, the Nouveau Casino in Paris and on many other stages all over the world. When he plays, his hair get moving all around, his body becomes mad with the beat, he becomes the most beautiful man in the world... and the most unforeseeable...... caliente !!!!
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AUTOMAT
Automat's talent that night was of course hardly a fluke: his deejaying career debuted in 1995 under the name of Tha’Natur, when, closely associated with the Upstream crew, his crashing sounds began revving up the crowds and earning him regular appearances at parties throughout Brittany. Building on the Spiral Tribe electronic sounds coming out of England at the time, his powerful fusion of hardcore and acid house soon had a tribe of enthusiastic rave-goers grooving to his breakbeat, acidcore and hardcore sets. This formative period, whose influence can still be heard in the music played by Automat today, would come to a close with Tha'Natur's appearance at the Astropolis Festival in 1997...
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